{"id":729,"date":"2016-12-09T09:18:17","date_gmt":"2016-12-09T01:18:17","guid":{"rendered":"http:\/\/dteng.wp.shu.edu.tw\/?page_id=729"},"modified":"2025-11-18T09:25:01","modified_gmt":"2025-11-18T01:25:01","slug":"%e5%b0%88%e4%bb%bb%e6%95%99%e5%b8%ab%e9%99%b3%e5%bb%ba%e9%be%8dalvin-dahn","status":"publish","type":"page","link":"http:\/\/dteng.wp.shu.edu.tw\/?page_id=729","title":{"rendered":"\u5c08\u4efb\u6559\u5e2b\u9673\u5efa\u9f8d Alvin Dahn"},"content":{"rendered":"<div class=\"wc-shortcodes-row wc-shortcodes-item wc-shortcodes-clearfix\">\n<div class=\"wc-shortcodes-column wc-shortcodes-content wc-shortcodes-one-third wc-shortcodes-column-first \">\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-730 aligncenter\" src=\"http:\/\/wp.shu.edu.tw\/wp-ctt\/uploads\/sites\/50\/2016\/12\/715521975ncq4h.jpg\" alt=\"715521975ncq4h\" width=\"169\" height=\"196\" \/><\/p>\n<\/div>\n<div class=\"wc-shortcodes-column wc-shortcodes-content wc-shortcodes-two-third wc-shortcodes-column-last \">\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<ul>\n<li>\u59d3\u540d\uff1a\u9673\u5efa\u9f8d Alvin Dahn<\/li>\n<li>\u8077\u7a31\uff1a\u526f\u6559\u6388<\/li>\n<li>\u96fb\u8a71\uff1a83562<\/li>\n<li>\u7814\u7a76\u5ba4\uff1aS701<\/li>\n<li>\u96fb\u5b50\u4fe1\u7bb1\uff1a<a href=\"mailto:alvin@mail.shu.edu.tw\">alvin@mail.shu.edu.tw<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u7814\u7a76\u5c08\u9577<\/strong><\/span><\/p>\n<p>\u82f1\u7f8e\u8a69\u6b4c<\/p>\n<p>\u98f2\u98df\u6587\u5b78\u8207\u98f2\u98df\u8ad6\u8ff0<\/p>\n<p>\u6587\u5b78\u4e2d\u7684\u5e7d\u9ed8<\/p>\n<p>\u79ae\u7269\u7406\u8ad6<\/p>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u6388\u8ab2\u8ab2\u7a0b<\/strong><\/span><\/p>\n<p>\u897f\u6982:\u5e0c\u81d8\u7f85\u99ac\u795e\u8a71(2\/0)<\/p>\n<p>\u897f\u6982:\u8056\u7d93\u6587\u5b78\u5178\u6545(0\/2)<\/p>\n<p>\u4e2d\u53e4\u6587\u85dd\u5fa9\u8208\u6587\u5b78(2\/0)<\/p>\n<p>\u5fa9\u8f9f\u53ca\u5341\u516b\u4e16\u7d00\u82f1\u570b\u6587\u5b78(0\/2)<\/p>\n<p>\u82f1\u570b\u6d6a\u6f2b\u6587\u5b78(2\/0)<\/p>\n<p>\u7dad\u591a\u5229\u4e9e\u6587\u5b78(0\/2)<\/p>\n<p>\u7f8e\u570b\u6587\u5b78:1865\u4ee5\u524d(2\/0)<\/p>\n<p>\u7f8e\u570b\u6587\u5b78:1865\u4ee5\u5f8c(0\/2)<\/p>\n<p>\u82f1\u6587\u540d\u8457\u9078\u8b80(2\/0*\u901a\u8b58\u8ab2\u7a0b)<\/p>\n<p>\u82f1\u6587\u73fe\u4ee3\u8a69\u6b4c(0\/2*\u901a\u8b58\u8ab2\u7a0b)<\/p>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u5b78\u6b77<\/strong><\/span><\/p>\n<p>\u53f0\u7063\u5927\u5b78\u5916\u570b\u8a9e\u6587\u5b78\u7cfb\u535a\u58eb<\/p>\n<p>\u53f0\u7063\u5e2b\u7bc4\u5927\u5b78\u82f1\u8a9e\u5b78\u7cfb\u78a9\u58eb<\/p>\n<p>\u53f0\u7063\u5e2b\u7bc4\u5927\u5b78\u7ffb\u8b6f\u6240\u78a9\u58eb<\/p>\n<p>\u4e2d\u5c71\u5927\u5b78\u5916\u6587\u7cfb\u5b78\u58eb<\/p>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u884c\u653f\u7d93\u6b77<\/strong><\/span><\/p>\n<p>2023-\u8fc4\u4eca \u82f1\u8a9e\u7cfb\u4e3b\u4efb<\/p>\n<p>2023-\u8fc4\u4eca \u5916\u8a9e\u4e2d\u5fc3\u4e3b\u4efb<\/p>\n<p>2018-2019 \u83ef\u8a9e\u6587\u4e2d\u5fc3\u4e3b\u4efb<\/p>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u8b49\u7167<\/strong><\/span><\/p>\n<p>2025 \u7d93\u6fdf\u90e8AI\u61c9\u7528\u898f\u5283\u5e2b \u8b49\u7167<\/p>\n<p>2025 Microsoft AI-900 \u8b49\u7167<\/p>\n<p>2025 Google Gemini AI \u8a8d\u8b49<\/p>\n<p>2025 Google Generative AI \u8a8d\u8b49<\/p>\n<p>2017 \u6559\u80b2\u90e8\u5c0d\u5916\u83ef\u8a9e\u6559\u5b78\u8b49\u7167<\/p>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u7d93\u6b77<\/strong><\/span><\/p>\n<p><strong>2022(Sept.)-preset: <\/strong>English Department, <strong>Shih-Hsin University<\/strong>\/ \u4e16\u65b0\u5927\u5b78\u82f1\u8a9e\u7cfb\u526f\u6559\u6388<\/p>\n<p><strong>2015(Sept.)-2022(June): <\/strong>English Department, <strong>Shih-Hsin University<\/strong>\/ \u4e16\u65b0\u5927\u5b78\u82f1\u8a9e\u7cfb\u52a9\u7406\u6559\u6388<\/p>\n<p><strong>2014 (Sept.)-2015(June): <\/strong>English Department (Oral Training), <strong>National Taiwan University<\/strong> \/\u53f0\u5927\u5916\u6587\u7cfb\u8b1b\u5e2b (\u53e3\u8a9e\u8a13\u7df4\u8ab2\u7a0b)<\/p>\n<p><strong>2012 (Sept.)-present: <\/strong>English Department (English &amp; American Lit.), <strong>National Chengchi University<\/strong> \/\u653f\u5927\u82f1\u8a9e\u7cfb\u8b1b\u5e2b (\u82f1\u570b\u66a8\u7f8e\u570b\u6587\u5b78)<\/p>\n<p><strong>2012 (Summer): International Academic Competence Workshop<\/strong>: Academic Writing, NTNU\/\u53f0\u5927\u8207\u53f0\u5e2b\u5927\u5408\u8fa6\u300c\u8de8\u570b\u5b78\u8853\u7af6\u722d\u529b\u83c1\u82f1\u73ed\u300d\u8b1b\u5e2b(\u5b78\u8853\u5beb\u4f5c)<\/p>\n<p><strong>2011 (Sept.)-2012 (June) : <\/strong>English Department (English Composition), <strong>National Taiwan Normal University<\/strong> \/\u53f0\u5e2b\u5927\u8b1b\u5e2b(\u82f1\u6587\u5beb\u4f5c)<\/p>\n<p><strong>2011(Sept.)- 2015(June):<\/strong> Department of Applied Foreign Languages (English &amp; American Lit. I; Introduction to Literature), <strong>Tatung University<\/strong>\/\u5927\u540c\u5927\u5b78\u8b1b\u5e2b(\u82f1\u7f8e\u6587\u5b78,\u6587\u5b78\u5c0e\u8b80,\u5546\u7528\u82f1\u8a9e\u8ac7\u5224)<\/p>\n<p><strong>2010(Sept.)-2015(June): <\/strong>English Instructor of <strong>Shih Hsin University<\/strong> (Selected Readings of English Lit.; Reading Strategy)\/\u4e16\u65b0\u5927\u5b78\u8b1b\u5e2b(\u95b1\u8b80\u7b56\u7565,\u82f1\u7f8e\u540d\u8457,\u82f1\u7f8e\u6587\u5b78,\u7f8e\u570b\u77ed\u7bc7\u5c0f\u8aaa,\u82f1\u7f8e\u8a69\u9078)<\/p>\n<p><strong>2010(Feb.)-2015(June):<\/strong> English Instructor of <strong>Taipei Medical University<\/strong> (Selected Readings of English Lit; English Reading)\/\u53f0\u5317\u91ab\u5b78\u5927\u5b78\u8b1b\u5e2b(\u82f1\u6587\u6703\u8a71,\u82f1\u6587\u95b1\u8b80,\u82f1\u7f8e\u6587\u5b78)<\/p>\n<p><strong>2009-2011:<\/strong> Instructor of the <strong>English Training Center at NTNU<\/strong> (Basic Conversation; Intermediate Writing)\/\u53f0\u5e2b\u5927\u8a9e\u8a00\u4e2d\u5fc3(\u521d\u7d1a\u6703\u8a71,\u82f1\u6587\u4f5c\u6587)<\/p>\n<p><strong>2005-2009: Assistant<\/strong> to Professor Su Tsi-Chung on National Science Council projects\/\u53f0\u5e2b\u5927\u8607\u5b50\u4e2d\u8001\u5e2b\u570b\u79d1\u6703\u5c08\u6848\u52a9\u7406<\/p>\n<p><strong>1997-2011: <\/strong>Instructor of the English Department, <strong>Christian Chung-Deh College<\/strong> (English Lit.; Intro to LIt.; Etymology; Mythology; Biblical Lit.)\/\u5d07\u5fb7\u57fa\u7763\u66f8\u9662\u8b1b\u5e2b(\u6587\u5b78\u8ab2\u7a0b\u66a8\u8a9e\u8a00\u8a13\u7df4)<\/p>\n<p><strong>1996-1998:<\/strong> English Conversation Teacher at <strong>China Youth Service Association<\/strong>\/\u6551\u570b\u5718\u82f1\u8a9e\u6703\u8a71\u8b1b\u5e2b<\/p>\n<p><strong>1997-1998:<\/strong> Intern Editor at <strong>Government Information Office<\/strong>, R.O.C. Yearbook compilation (Sections: culture and religion)\/\u65b0\u805e\u5c40\u8cc7\u6599\u7de8\u8b6f\u8655\u4e8c\u79d1\u898b\u7fd2\u7de8\u8b6f<\/p>\n<p><strong>1994-1995:<\/strong> <strong>Interpreter Lieutenant<\/strong> of the A.H.O.H. (Attack Helicopters and Observation Helicopters) Purchase Project with Michael Douglas Texas\/ \/\u9678\u8ecd\u8ecd\u552e\u6848\u7ffb\u8b6f\u5b98<\/p>\n<p><span style=\"font-size: 14pt\">\u6821\u5916\u69ae\u8b7d<\/span><\/p>\n<p><strong>2015: <\/strong>MOT Subsidy Program for Starting Assistant Professorship \/\u79d1\u6280\u90e8\u88dc\u52a9\u5927\u5c08\u6821\u9662\u5ef6\u652c\u7279\u6b8a\u512a\u79c0\u4eba\u624d\u63aa\u65bd\u734e\u52f5<\/p>\n<p><strong>2013: <\/strong>(Autumn) Excellence in Teaching, Taipei Medical University (English Literature; Conversation)\/\u53f0\u5317\u91ab\u5b78\u5927\u5b78\u6559\u5b78\u512a\u826f\u734e(\u82f1\u7f8e\u6587\u5b78,\u82f1\u6587\u6703\u8a71)<\/p>\n<p><strong>2013:<\/strong> (Spring) Excellence in Teaching, Taipei Medical University (English Literature; English Reading, English Conversation)\/\u53f0\u5317\u91ab\u5b78\u5927\u5b78\u6559\u5b78\u512a\u826f\u734e(\u82f1\u7f8e\u6587\u5b78,\u82f1\u6587\u95b1\u8b80,\u82f1\u6587\u6703\u8a71)<\/p>\n<p><strong>2012:<\/strong> (Autumn) Excellence in Teaching, Taipei Medical University (English Literature; English Reading) \/\u53f0\u5317\u91ab\u5b78\u5927\u5b78\u6559\u5b78\u512a\u826f\u734e(\u82f1\u7f8e\u6587\u5b78,\u82f1\u6587\u95b1\u8b80)<\/p>\n<p><strong>2012:<\/strong> (Spring) Excellence in Teaching, Taipei Medical University (English Literature; English Reading) \/\u53f0\u5317\u91ab\u5b78\u5927\u5b78\u6559\u5b78\u512a\u826f\u734e(\u82f1\u7f8e\u6587\u5b78,\u82f1\u6587\u95b1\u8b80)<\/p>\n<p><strong>2011:<\/strong> (Autumn) Excellence in Teaching, Taipei Medical University \/\u53f0\u5317\u91ab\u5b78\u5927\u5b78\u6559\u5b78\u512a\u826f\u734e<\/p>\n<p><strong>2011:<\/strong> (Spring) Excellence in Teaching, Taipei Medical University\/\u53f0\u5317\u91ab\u5b78\u5927\u5b78\u6559\u5b78\u512a\u826f\u734e<\/p>\n<p><strong>2010:<\/strong> (Autumn) Excellence in Teaching, Taipei Medical University\/\u53f0\u5317\u91ab\u5b78\u5927\u5b78\u6559\u5b78\u512a\u826f\u734e<\/p>\n<p><strong>2010:<\/strong> (Spring) Excellence in Teaching, Taipei Medical University\/\u53f0\u5317\u91ab\u5b78\u5927\u5b78\u6559\u5b78\u512a\u826f\u734e<\/p>\n<p><strong>2008:<\/strong> Literary Award of the Department of English at NTNU (\u5e2b\u5927\u82f1\u8a9e\u7cfb\u6587\u5b78\u734e\u5b78\u91d1\u7b2c\u4e00\u540d)<\/p>\n<p><strong>2008:<\/strong> Yang Ching-mai Scholarship (\u694a\u666f\u9081\u6559\u6388\u5b78\u8853\u7814\u7a76\u734e\u5b78\u91d1)<\/p>\n<p><strong>2006:<\/strong> Scholarship of the Department of English at NTNU (\u5e2b\u5927\u82f1\u8a9e\u7cfb\u512a\u79c0\u5b78\u751f\u734e\u5b78\u91d1)<\/p>\n<p><strong>1999:<\/strong> Sinological Research Subsidy, Leiden University (\u840a\u9813\u5927\u5b78\u6f22\u5b78\u734e\u52a9\u91d1)<\/p>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u7814\u7a76\u6210\u679c<\/strong><\/span><\/p>\n<p>\u535a\u58eb\u5b78\u4f4d\u8ad6\u6587\u540d\u7a31:Food Poetics in Modern Poetry: Stevens, Williams, and Lee<\/p>\n<p>\u78a9\u58eb\u5b78\u4f4d\u78a9\u6587\u540d\u7a31:<\/p>\n<p>The Gift Theory of the Biblical Salom\u00e9 (\u6587\u5b78)<\/p>\n<p>The Faint Flash of a Fickle Fate: Rediscovering Dowson Through Translation of His <em>Verses <\/em>(\u7ffb\u8b6f)<\/p>\n<p><span style=\"font-size: 14pt\">\u5c08\u66f8<\/span><\/p>\n<ol>\n<li>2014: Food Poetics in Modern Poetry: Stevens, Williams, and Lee (Ph.D. dissertation)<\/li>\n<li>2009: Master thesis: The Gift Theory of the Biblical Salom\u00e9<\/li>\n<li>2000: Master thesis: The Faint Flash of a Fickle Fate: Rediscovering Dowson Through Translation of His Verses<\/li>\n<\/ol>\n<p><span style=\"font-size: 14pt\">\u5c08\u66f8\u8ad6\u6587<\/span><\/p>\n<ol>\n<li><strong>2011:<\/strong> Book chapter: &#8220;A Constraining Mirror: the Subjective Camera in Philippe Harel\u2019s La Femme Def\u00e9ndue&#8221; published in <em>(In)Sight: Visual Culture and Aesthetics<\/em> (\u7981\u5fcc\u7684\u89c0\u770b&#8211;\u4fb7\u9650\u7684\u89c0\u770b\uff1a\u4ee5\u62c9\u5ca1\u5f0f\u7684\u7b2c\u4e00\u4eba\u7a31\u904b\u93e1\u8ac7\u300a\u7981\u5fcc\u7684\u5973\u4eba\u300bin \u300a\u6d1e\u898b\uff1a\u8996\u89ba\u6587\u5316\u8207\u7f8e\u5b78\u300b) (\u99ae\u54c1\u4f73\u3001\u8d99\u9806\u826f\u4e3b\u7de8.\u300a\u6d1e\u898b\uff1a\u8996\u89ba\u6587\u5316\u8207\u7f8e\u5b78\u300b. \u53f0\u5317\uff1a\u66f8\u6797\uff0c2011. 02.)<\/li>\n<\/ol>\n<p><span style=\"font-size: 14pt\">\u671f\u520a\u8ad6\u6587<\/span><\/p>\n<ol>\n<li>2024: &#8221; Fleeing from the Cyclops&#8217;s Eye: Exploring Human Agency in the Digital Epoch in Ali Smith&#8217;s &#8220;After Life&#8221; (\u9003\u96e2\u7368\u773c\u5de8\u4eba\u7684\u51dd\u8996\uff1a\u8ac7\u963f\u91cc\uff0e\u53f2\u5bc6\u65af\u3008\u5f8c\u751f\u3009\u4e2d\u7684\u4eba\u985e\u4e3b\u9ad4\u80fd\u52d5\u6027), published in\u00a0<em>Foreign Language Studies<\/em>\u5916\u570b\u8a9e\u6587\u7814\u7a7640. Dec. 2024, pp.145-167. doi: 10.30404\/FLS) THCI (PRINT ISSN: 1813-0755 )<\/li>\n<li>2022: &#8220;Denying and Dining in Sense and Sensibility: A Food Discourse on Mrs. Jennings\u2019 Healing Feeding&#8221; (\u4e0d\u5403\u4e0d\u7406\u6027\uff1a\u5f9e\u746a\u9e97\u5b89\u7684\u60c5\u50b7\uff0c\u770b\u300a\u7406\u6027\u8207\u611f\u6027\u300b\u7684\u62d2\u98df\u3001\u9032\u98df\uff0c\u4ee5\u53ca\u9935\u98df), published in\u00a0<em>The Wenshan Review<\/em>\u00a0\u6587\u5c71\u8a55\u8ad6 Vol.15 No.2, Jun. 2022, pp.163-190. doi: 10.30395\/WSR.202112_15(2).0007) THCI (PRINT ISSN: 2077-1282 )<\/li>\n<li>2021: &#8220;&#8216;Something Wrong with Fat, Happy, Green People?&#8217; \u2014Plague Discourse in The Green Leopard Plague.&#8221; EALA. (under review)<\/li>\n<li>2021: &#8220;Marriage as a Humoristic Device in Measure for Measure.&#8221; Ex-Position. (under review)<\/li>\n<li>2021: &#8220;To Eat, or Not to Eat: Food Discourse in Sense and Sensibility.&#8221; (\u4e0d\u5403\u4e0d\u7406\u6027\uff1a\u5f9e\u746a\u9e97\u5b89\u7684\u60c5\u50b7\uff0c\u770b\u300a\u7406\u6027\u8207\u611f\u6027\u300b\u7684\u62d2\u98df\u3001\u9032\u98df\uff0c\u4ee5\u53ca\u9935\u98df) (to be published in The Wenshan Review \u6587\u5c71\u8a55\u8ad6 Vol.14 No.2 Jun. 2021) THCI (PRINT ISSN: 2077-1282)<\/li>\n<li>2020: &#8220;Alvin Dahn and Lloyd Haft: Genuine Pretending: On the Philosophy of the Zhuangzi, Hans-Georg Moeller and Paul J. D \u2019 Ambrosio&#8221; (review). The Philosophy of Humor Yearbook. Vol. 1: Issue 1. First published: 01 Sep 2020. 289-293. A&amp;HCI (ONLINE ISSN: 2698-718-X; PRINT ISSN: 2698-7171)<\/li>\n<li>2019: &#8220;Plato and Deadpool Walk into a Bar: Superiority in Plato&#8217;s View on Comics and Incongruity in a Superhero&#8217;s Foul Mouth.&#8221; (\u3008\u8ce4\u7684\u5e7d\u9ed8: \u5f9e\u67cf\u62c9\u5716\u7684\u7b11\u5230\u6b7b\u4f8d\u7684\u5634\u3009), published in Taiwan Humanities Society Bulletin, Issue 13, 2019.06.08. (\u300a\u53f0\u7063\u4eba\u6587\u5b78\u793e\u901a\u8a0a\u300b\u7b2c13\u671f. 2019\u5e74\u6625\u5b63\u865f)<\/li>\n<li>2019: &#8220;When Words Speak to to the Point: Photographic Narrative of Val Williams&#8221; (\u3008\u770b\u5716\u8aaa\u8a71\u7b2c\u4e00\u4eba\uff0d\u6cd5\u723e\uff0e\u5a01\u5ec9\u65af: \u6587\u5b57\u6558\u4e8b\u8207\u8996\u89ba\u6558\u4e8b\u91cd\u758a\u7684\u77ac\u9593\u3009), published in Taiwan Humanities Society Bulletin, Issue 12, 2018.12.25. (\u300a\u53f0\u7063\u4eba\u6587\u5b78\u793e\u901a\u8a0a\u300b\u7b2c12\u671f. 2018\u5e74\u79cb\u5b63\u865f)<\/li>\n<li>2018: &#8220;Souvenir Food and Gourmet Cuisine: Choice of Food and Construct of Identity&#8221; (\u3008\u540d\u7522(\u5a92)\u8207\u7f8e\u98df(\u4ecb):\u98f2\u98df\u4f5c\u70ba\u8eab\u5206\u8a8d\u540c\u7684\u6280\u8853\u4e4b\u4e00:\u540d\u7522(\u5a92)\u3009), published in CLAROC Number 26. September 2018. 19-22. (\u300a\u4e2d\u83ef\u6c11\u570b\u6bd4\u8f03\u6587\u5b78\u5b78\u6703\u7b2c26\u671f\u96fb\u5b50\u5831\u300b)<\/li>\n<li>2018: &#8220;Philosophical Fetishism: Steampunk&#8221; (\u3008\u54f2\u5b78\u5f0f\u6200\u7269\uff1a\u84b8\u6c23\u9f90\u514b\u3009), published in EALA, Issue 3, December 31, 2017. 26-28. (\u300a\u82f1\u7f8e\u6587\u5b78\u7b2c\u4e09\u671f\u96fb\u5b50\u5831\u300b2018)<\/li>\n<li>2017: &#8220;Obliquity and Velocity&#8221; (\u3008\u66f2\u52dd\u65bc\u76f4\uff0c\u77ac\u52dd\u65bc\u5be6\u3009), published in EALA Issue 2, July 20, 2017. 14-15. (\u300a\u82f1\u7f8e\u6587\u5b78\u7b2c\u4e8c\u671f\u96fb\u5b50\u5831\u300b2017)<\/li>\n<li>2016: &#8220;The Deadpool Subversion vs the Superhero Conventions , &#8221; (\u3008\u8d85\u7d1a\u4e0d\u82f1\u96c4?\u3008\u5f9e\u300a\u6b7b\u4f8d\u300b\u770b\u5716\u6587\u5c0f\u8aaa\u7684\u82f1\u96c4\u50b3\u7d71\u3009), published in CLAROC Number 16. March 2016. n.p. (\u300a\u4e2d\u83ef\u6c11\u570b\u6bd4\u8f03\u6587\u5b78\u5b78\u6703\u7b2c16\u671f\u96fb\u5b50\u5831\u300b)<\/li>\n<li>2015: &#8220;From Mediality\/Materiality to Photographic Medi-Materiality, &#8221; (\u3008\u5f9e\u5a92\u4ecb\u8207\u7269\u8cea\u4e4b\u5206\u5230\u651d\u5f71\u7684\u5a92\u7269\u5171\u6027\u3009), published in CLAROC Number 15. December 2015. n.p. (\u300a\u4e2d\u83ef\u6c11\u570b\u6bd4\u8f03\u6587\u5b78\u5b78\u6703\u7b2c15\u671f\u96fb\u5b50\u5831\u300b)<\/li>\n<li>2015: &#8220;Life Is a Bitter Aspic: The Translation of Food into Poetics in Wallace Stevens&#8217; Poems,&#8221; (\u3008\u300c\u4eba\u751f\u662f\u4e00\u9053\u82e6\u82e6\u7684\u51b7\u76e4\u300d\uff1a\u53f2\u8482\u6587\u751f\u7684\u73fe\u4ee3\u8a69\u8207\u98df\u7269\u8a69\u5b78\u7684\u6f14\u7e79\u3009) published in Cross-cultural Studies Volume 2, Number 1. March 2015. 25-57. (\u300a\u6587\u5316\u8d8a\u754c\u300b\u7b2c\u4e8c\u5377 \u7b2c\u4e00\u671f) THCI (ISSN: 2071-4971)<\/li>\n<li>2014: Food Poetics in Modern Poetry: Stevens, Williams, and Lee (\u5916\u6587\u6240\u535a\u8ad6\uff1a\u73fe\u4ee3\u8a69\u4e2d\u7684\u98df\u7269\u8a69\u5b78\uff1a\u53f2\u8482\u6587\u65af\u3001\u5a01\u5ec9\u65af\u3001\u674e\u7acb\u63da)<\/li>\n<li>2013: Trans. &#8220;A Glimpse at the Development of the Environmental Documentary in Taiwan&#8221; (by Tsung-lung Tsai, Li-ping Yu, and Chin-yuan Ke) published in Concentric: Literary and Cultural Studies Volume 39, Number 1, March 2013. 161-176. A&amp;HCI (ISSN: 1729-689-7)<\/li>\n<li>2012: &#8220;The Gift in Between: The Bataillean Gift that Defies Dichotomy and its Functions in the Biblical Salom\u00e9&#8221; (\u3008\u4ea4\u754c\u7684\u79ae\u7269\u3009) published in Cross-cultural Studies Volume 1, Number 7. March 2012. 175-199. (\u300a\u6587\u5316\u8d8a\u754c\u300b\u7b2c\u4e00\u5377 \u7b2c\u4e03\u671f) THCI (ISSN: 2071-4971)<\/li>\n<li>2011: Book chapter: &#8220;A Constraining Mirror: the Subjective Camera in Philippe Harel\u2019s La Femme Def\u00e9ndue&#8221; published in (In)Sight: Visual Culture and Aesthetics (\u7981\u5fcc\u7684\u89c0\u770b&#8211;\u4fb7\u9650\u7684\u89c0\u770b\uff1a\u4ee5\u62c9\u5ca1\u5f0f\u7684\u7b2c\u4e00\u4eba\u7a31\u904b\u93e1\u8ac7\u300a\u7981\u5fcc\u7684\u5973\u4eba\u300bin \u300a\u6d1e\u898b\uff1a\u8996\u89ba\u6587\u5316\u8207\u7f8e\u5b78\u300b) (\u99ae\u54c1\u4f73\u3001\u8d99\u9806\u826f\u4e3b\u7de8.\u300a\u6d1e\u898b\uff1a\u8996\u89ba\u6587\u5316\u8207\u7f8e\u5b78\u300b. \u53f0\u5317\uff1a\u66f8\u6797\uff0c2011. 02. 198-215.) (ISBN: 978-957-445-405-1)<\/li>\n<li>2010: \u201cDays Past Uncounted and Uncalendared: Gothic Traces in The Road\u201d in 2010 International Graduate Student Conference on Literary and Cultural Studies (\u7b2c\u4e09\u5c46\u6587\u5b78\u8207\u6587\u5316\u7814\u7a76\u570b\u969b\u7814\u7a76\u751f\u7814\u8a0e\u6703\u8ad6\u6587\u96c6, 2010)<\/li>\n<li>2009: Master thesis: The Gift Theory of the Biblical Salom\u00e9 (\u82f1\u8a9e\u6240\u78a9\u8ad6\uff1a\u8056\u7d93\u838e\u6a02\u7f8e\u7684\u79ae\u7269\u7d93\u6fdf)<\/li>\n<li>2009: \u201cHome, Sweet Home: The Housebound Phenomenon as a Modern Resistance\u201d in 2009 International Graduate Student Conference on Literary and Cultural Studies (\u7b2c\u4e8c\u5c46\u6587\u5b78\u8207\u6587\u5316\u7814\u7a76\u570b\u969b\u7814\u7a76\u751f\u7814\u8a0e\u6703\u8ad6\u6587\u96c6, 2009)<\/li>\n<li>2007: \u201cSomething Queer in the Rear: A Rereading of The Shipman\u2019s Tale\u201d published in Review of English and American Literature (REAL), Vol.11 (translated into Chinese and published as: \u82f1\u7f8e\u6587\u5b78\u8a55\u8ad6-\u7b2c\u5341\u4e00\u671f: \u617e\uff0f\u300c\u76ca\u300d\u7d50\u91d1\u862d\uff1a\u3008\u6c34\u624b\u7684\u6545\u4e8b\u3009\u4e2d\u8d77\u6e90\u65bc\u7537\u8272\u7684\u8cc7\u91d1\u6d41\u52d5) THCI CORE (ISSN: 1024-285-6)<\/li>\n<li>2000: Master thesis: The Faint Flash of a Fickle Fate: Rediscovering Dowson Through Translation of His Verses (\u7ffb\u8b6f\u6240\u78a9\u8ad6\uff1a\u985b\u6c9b\u4e2d\uff0c\u5fae\u5149\u9583\u720d\uff1a\u9053\u68ee\u8a69\u4f5c\u4e2d\u8b6f)<\/li>\n<\/ol>\n<p><span style=\"font-size: 14pt\">\u7814\u8a0e\u6703\u8ad6\u6587<\/span><\/p>\n<ol>\n<li>2025: &#8220;To Be, or Not to Be?&#8221;&#8211;That Is the Narrative: The Dying Narrative and Its Functionality in\u00a0<em>The Room Next Door<\/em>\u00a0(2024)&#8221;(\u3008\u300c\u751f\u3001\u8001\u3001\u75c5\u4e0d\u6b7b\uff1a\u300a\u9694\u58c1\u7684\u623f\u9593\u300b\u4e4b\u4e2d\u7684\u5782\u6b7b\u6558\u4e8b\u529f\u80fd\u3009), to be presented at the 33th EALA Conference \u7b2c33\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703 on October 18, 2025.<\/li>\n<li>2025:\u00a0Composed Decomposing:\u00a0Comfort Composition through Compassionate Cannibalism in Literature\u00a0(\u6709\u7d44\u7e54\u7684\u566c\u5c4d\u662f\u93ae\u5b9a\u7684\u6b9e\u6c92\uff1a\u6170\u85c9\u5efa\u69cb\u8207\u6587\u5b78\u4e2d\u7684\u89aa\u65cf\u566c\u5c4d), to be presented at the 47th CLAROC Conference (\u7b2c47\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on May 17, 2025.<\/li>\n<li>2024: &#8220;Filter, Filter, on the Cam, Who&#8217;s the Fairest of Them All: How Digital Identity Is Constructed on Instagram and Its Filters.&#8221;(\u3008\u300c\u6ffe\u93e1,\u6ffe\u93e1:\u8ab0\u662f\u4e16\u4e0a\u6700\u7f8e\u7684\u4eba?\u300d:\u6578\u4f4d\u5e73\u53f0\u7684\u8996\u89ba\u4e3b\u9ad4\u5efa\u69cb,\u4ee5Instagram\u70ba\u4f8b\u3009), presented at the 32th EALA Conference \u7b2c32\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703 on October 19, 2024.<\/li>\n<li>2023: &#8220;Saying This for Your Good&#8221; : Three Types of Care-Takers in Jane Austen&#8217;s\u00a0<em>Emma<\/em>\u00a0(\u3008\u300c\u6211\u662f\u70ba\u4f60\u597d\u300d\uff1a\u73cd\uff0e\u5967\u65af\u6c40\u300a\u827e\u746a\u300b\u4e2d\u7684\u4e09\u7a2e\u7167\u9867\uff0d\u98f2\u98df\u3001\u966a\u4f34\u3001\u5a92\u5981\uff0d\u4f5c\u70ba\u89d2\u8272\u610f\u8c61\u3009), presented at the 31th EALA Conference \u7b2c31\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703 on October 14, 2023.<\/li>\n<li>2023: The Mojo in the Wind: The Nomadic Journeys of Joanne Harris&#8217;\u00a0<em>Chocolat Tetralogy<\/em>(\u3008\u300c\u8d77\u98a8\uff0c\u5c31\u8d70\u300d\uff1a\u4e0d\u65b7\u9077\u5f99\uff0c\u6b78\u96f6\u91cd\u555f\uff0d\u55ac\u5b89\uff0e\u54c8\u91cc\u65af\u7684\u300a\u5de7\u514b\u529b\u56db\u90e8\u66f2\u300b\u3009), presented at the 45th CLAROC Conference (\u7b2c45\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on June 17, 2023.<\/li>\n<li>2022: &#8220;Lonely Together: Solitude Community and Food Images in\u00a0<em>Shinya Shokud\u014d<\/em>&#8221; (\u3008\u5b64\u7368\u8207\u5171\uff1a\u300a\u6df1\u591c\u98df\u5802\u300b\u4e2d\u4ea6\u7368\u4ea6\u7fa4\u7684\u98f2\u98df\u610f\u8c61\u3009), presented at the 30th EALA Conference \u7b2c30\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703 on October 29, 2022.<\/li>\n<li>2022: &#8221; Speed Up Humor: Digital Dromology and Internet Memes&#8221; (\u3008\u901f\u5ea6\u5e7d\u9ed8\uff1a\u6578\u4f4d\u901f\u5ea6\u5b78\u7684\u793e\u4ea4\u7fa9\u80a2\u8207\u7db2\u8def\u8ff7\u56e0\u5716\u7684\u5e7d\u9ed8\u751f\u6210\u3009), presented at the 44th CLAROC Conference (\u7b2c44\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on June 15, 2022.<\/li>\n<li>2021: &#8220;Food Porn in Chocolat: The Non-Material in Material Culture&#8221; (\u300a\u5de7\u514b\u529b\u300b\u7684\u98df\u8272\u6587\u5b78\uff08Food Porn\uff09\uff1a\u7269\u8cea\u6587\u5316\u4e2d\u7684\u975e\u7269\u8cea), presented at the 29th EALA Conference \u7b2c29\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703 on October 30, 2021.<\/li>\n<li>2021: &#8220;&#8216;Nobody Eat! Let Me Take a Selfie.&#8217;&#8211;The Food Selfie as a Graphic Narrative&#8221; presented at the 2021 International Conference on Cultural Shock and Social Responsibilities in the New Media Era (2021\u5e74\u65b0\u5a92\u9ad4\u6642\u4ee3\u4e0b\u7684\u6587\u5316\u885d\u64ca\u8207\u793e\u6703\u8cac\u4efb\u570b\u969b\u7814\u8a0e\u6703) on June 18, 2021.<\/li>\n<li>2021: &#8221; &#8216;Something Wrong with Fat, Happy, Green People?&#8217; \u2014Plague Discourse in The Green Leopard Plague&#8221; (\u300c\u767c\u7da0\u3001\u767c\u798f\u3001\u5feb\u6a02\uff0d\u6709\u4ec0\u9ebc\u4e0d\u5c0d\uff1f\u300d\uff1a\u300a\u7da0\u8c79\u761f\u75ab\u300b\u8207\u5f8c\u4eba\u985e\u4e16\u7684\u761f\u75ab\u8ad6\u8ff0), presented at the 43th CLAROC Conference (\u7b2c43\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on June 5, 2021.<\/li>\n<li>2020: &#8220;Revisiting Waking Life: Dream as a State of Philosophical Questioning&#8221; (\u3008\u518d\u8a2a\u300a\u5922\u9192\u4eba\u751f\u300b: \u5922\u4f5c\u70ba\u54f2\u5b78\u8cea\u7591\u7684\u72c0\u614b\u3009), presented at the 28th EALA Conference (\u7b2c28\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703) on October 31, 2020.<\/li>\n<li>2020: &#8220;Love, Death + Robots: Techno Animism and Kokoro&#8221; (\u300a\u611b\u3001\u6b7b\u4ea1\u3001\u6a5f\u68b0\u4eba\u300b\uff1a\u79d1\u6280\u6cdb\u9748\u8207\u6a5f\u68b0\u4e4b\u5fc3\u3009), presented at the 42th CLAROC Conference (\u7b2c42\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on May 29-30, 2020.<\/li>\n<li>2019: &#8220;Techne = Art : Photographic Narrative of Val Williams&#8221; (\u3008\u6280\u8853\u5373\u85dd\u8853:\u5a01\u5ec9\u65af\u5f71\u50cf\u6558\u4e8b\u8207\u5a92\u4ecb\u8ad6\u8ff0\u3009), presented at the 2019 Taiwan Humanities Society Conference (2019\u5e74\u53f0\u7063\u4eba\u6587\u5b78\u793e\u5e74\u6703) on November 23-24, 2019.<\/li>\n<li>2019: &#8220;Midnight Snack and Daytime Cafe: Food, Drink, and Healing Narrative in Comics&#8221; (\u3008\u4e00\u591c\u5c0f\u914c\u3001\u4e8c\u4ee3\u5496\u5561\uff1a\u98f2\u98df\u3001\u5716\u50cf\u3001\u7642\u7652\u8ad6\u8ff0\u3009), presented at the 41th CLAROC Conference (\u7b2c41\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on June 22, 2019.<\/li>\n<li>2018: &#8220;Picturesque Discourse &amp; Discursive Picture: Ekphrastic Narratives from &#8220;Mus\u00e9e des Beaux Arts&#8221; to Shinya Shokud\u014d (\u3008\u770b\u5716\u8aaa\u8a71\u2192\u8aaa\u8a71\u770b\u5716\uff1a\u5f9e\u3008\u7f8e\u8853\u9928\u3009\u5230\u300a\u6df1\u591c\u98df\u5802\u300b\u7684\u5716\u50cf\u6558\u4e8b\u3009), to be presented at the 26th EALA Conference (\u7b2c26\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703) on October 27, 2018.<\/li>\n<li>2018: &#8220;The Post-Digital Steampunk: To Type, to Write, and the Typewriting in Uncommon Type&#8221; (\u3008\u5f8c\u6578\u4f4d\u7684\u84b8\u6c23\u9f90\u514b\uff1a\u300a\u975e\u5e38\u66f8\u5beb\u300b\u7684\u6253\u5b57\u6a5f\u66f8\u5beb\u3009), presented at the 40th CLAROC Conference (\u7b2c40\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on May 26, 2018.<\/li>\n<li>2017: &#8220;The Stationed Sheriff and the Wandering Killer: Domopolitcs in No Country for Old Men&#8221; (\u3008\u4e0d\u52d5\u7684\u8b66\u9577\uff0c\u6d41\u52d5\u7684\u6bba\u624b\uff1a\u300a\u96aa\u8def\u300b\u4e2d\u4e00\u65b9\u93ae\u5b88\u8207\u56db\u8655\u70ba\u5bb6\u7684\u6b78\u5bbf\u653f\u6cbb\u3009), presented at the 25th EALA Conference (\u7b2c25\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703) on October 24, 2017.<\/li>\n<li>2017: &#8220;You Are What You Eat: The Rituality of Fisher\u2019s Culinary Literature &#8221; (\u3008\u4eba\u98df\u5408\u4e00\uff1a\u8cbb\u96ea\u98f2\u98df\u6587\u5b78\u7684\u5100\u5f0f\u6027\u3009), presented at the 39th CLAROC Conference (\u7b2c39\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on May 20, 2017.<\/li>\n<li>2016: &#8220;Tattooed Bodies &amp; Literary Corpus: Tattoo Narrative in Blindspot&#8221; (\u3008\u7d0b\u8eab\uff0e\u6587\u8eab:\u300a\u76f2\u9ede\u300b\u7684\u7d0b\u8eab\u6558\u4e8b\u3009), presented at the 38th CLAROC Conference (\u7b2c38\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on May 21, 2016.<\/li>\n<li>2015: &#8220;Man Proposes, Object Disposes: Artifacts and Material Agency in Warehouse 13&#8221; (\u3008\u9ad4\u7684\u5931\u80fd\uff0c\u7269\u7684\u53ef\u80fd\uff1a\u300a\u5341\u4e09\u865f\u5009\u5eab\u300b\u7684\u6587\u7269\u8207\u7269\u8cea\u65bd\u70ba\u80fd\u529b\u3009), accepted for the 37th CLAROC Conference (\u7b2c37\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70). (May 23, 2015)<\/li>\n<li>2014: &#8220;The Intended Food, the Extended Mind: The Memory Prodcution of Food in Modern Poetry,&#8221; presented at Envisioning &#8220;Things&#8221;: An International Conference on Material Culture at NSYSU (\u300c\u4ee5\u7269\u89c0\u7269\uff1a\u81fa\u7063\u3001\u6771\u4e9e\u8207\u4e16\u754c\u7684\u4e92\u6587\u8108\u7d61\u300d\u570b\u969b\u7814\u8a0e\u6703) on Oct. 17-18, 2014.<\/li>\n<li>2014: &#8220;Life Is a Bitter Aspic: The Translation of Food into Poetics in Wallace Stevens&#8217; Poems,&#8221; presented at the Fifth Translation and Trans-cultural Conference at N.C.C.U. (\u7b2c\u4e94\u5c46\u7ffb\u8b6f\u8207\u8de8\u6587\u5316\u570b\u969b\u5b78\u8853\u7814\u8a0e\u6703) on Nov. 15, 2014.<\/li>\n<li>2014: &#8220;Distancing and Channeling: Food Agency and the Memory Machine, &#8221; accepted for 7th International Deleuze Studies Conference: Models, Machines and Memories. Department of Interior Design, Istanbul Technical University, Turkey. (July 14-16, 2014)<\/li>\n<li>2014: &#8220;The Deleuzean Plums: Food Affect in W. C. Williams\u2019 Poetics, &#8221; accepted for Conference on Deleuze\u2019s Cultural Encounters With the New Humanities. Department of English and the Technoscience Culture and Research Centre, Hong Kong Shue Yan University, Hong Kong. (June 9-12, 2014)<\/li>\n<li>2014\uff1a&#8221;Shinya Shokud\u014d, a Deleuzean Shokud\u014d: The Nodal Point of Time and Space and the Memory in Food, &#8221; accepted for The 2nd International Deleuze Studies in Asia Conference. Toyonaka Campus, Osaka University, Japan. (June 6-8, 2014)<\/li>\n<li>2013: &#8220;Food Poetics and the Asian-American Memory: Li-Young Lee&#8221;(&#8220;\u98df\u9918\uff0e\u6642\u9918\uff1a\u674e\u7acb\u63da\uff08Li-Young Lee\uff09\u7684\u98df\u7269\u8a69\u5b78\u8207\u4e9e\u7f8e\u8a18\u61b6&#8221;), presented at the 36th CLAROC Conference (\u7b2c36\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on May 17, 2014.<\/li>\n<li>2012: &#8220;Pain Is Human&#8221;: the Suffering Discourse of Modern Poetry in Wallace Stevens&#8217; &#8220;Esthetique du Mal,&#8221; presented at &#8220;Health and Illness in Culture&#8221; International Conference on December 21, 2012.<\/li>\n<li>2012: &#8220;The Readable Body and the Retrievable God'&#8221; (&#8220;\u795e\u7684\u6a94\u6848,\u4eba\u7684\u8b80\u53d6&#8221;), presented at the 35th CLAROC Conference (\u7b2c35\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on May 5, 2012.<\/li>\n<li>2011: &#8220;The Gift in Between,&#8221; presented at the Third Translation and Trans-cultural Conference at N.C.C.U. (\u7b2c\u4e09\u5c46\u7ffb\u8b6f\u8207\u8de8\u6587\u5316\u570b\u969b\u5b78\u8853\u7814\u8a0e\u6703) on Nov. 12, 2011.<\/li>\n<li>2010: \u201cThe Gift of Love\u201d (translated into Chinese as \u201c\u611b\u7684\u79ae\u7269\u201d), presented at the 33rd CLAROC Conference (\u7b2c33\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70) on May 22nd, 2010.<\/li>\n<li>2010: \u201cDays Past Uncounted and Uncalendared: Gothic Traces in The Road,\u201d presented at the Third NCTU Graduate Conference on April 30th, 2010.<\/li>\n<li>2009: \u201cHome, Sweet Home: The Housebound Phenomenon as a Modern Resistance,\u201d presented at the Second NCTU Graduate Conference on June 5th, 2009.<\/li>\n<li>2009: assigned respondent at the Fourth Conference of the NTU Shakespeare Forum (\u7b2c\u56db\u5c46\u838e\u58eb\u6bd4\u4e9e\u8ad6\u58c7)<\/li>\n<li>2000: \u201cA Talk on the Poetic Translation of Ernest Christopher Dowson\u201d, a seminar talk delivered at the Graduate Institute of Interpretation and Translation<\/li>\n<\/ol>\n<p><span style=\"font-size: 14pt\">\u7814\u7a76\u8a08\u5283<\/span><\/p>\n<ol>\n<li>2025 (Aug.)-2026 (Jul.):\u00a0<em>I Love (You), Therefore I Eat (You): The Culinary Cult and Culture of Cannibalism in Contemporary Literature as a Trope of Compassion and Connection<\/em> (\u300a\u611b\u4f60\u6240\u4ee5\u5403\u6389\u4f60: \u566c\u4eba\u7684\u6697\u9ed1\u98f2\u98df\u8207\u7576\u4ee3\u6587\u5b78\u4e2d\u7684\u5171\u60c5\u6263\u9023\u300b)\u00a0MOST\u00a0114-2410-H-128-007<\/li>\n<li>2023 (Oct.)-2024 (Jun.):\u00a0<em>What You See Is What You Don\u2019t Get: Food Porn as Literary and Visual Presentation of the Unattainable<\/em>\u00a0(\u300a\u79c0\u8272\u4e0d\u53ef\u9910\uff1a\u98df\u8272\u6587\u5b78\u7684\u6587\u85dd\u8996\u89ba\u5c55\u73fe\u8207\u98f2\u98df\u7684\u4e0d\u53ef\u5f97\u8ad6\u8ff0\u300b)\u00a0P11208<\/li>\n<li>2021 (Aug.)-2023 (Jul.): Food Humor: Food Imagery and the Displacement Theory (\u300a\u98f2\u98df\u5e7d\u9ed8: \u98f2\u98df\u610f\u8c61\u8207\u932f\u7f6e\u5e7d\u9ed8\u300b) MOST 110-2410-H-128 -012 -MY2<\/li>\n<li>2019 (Aug.)-2020 (Jul.): &#8220;In Its Place There Is a Language of Images&#8221;: John Berger&#8217;s Ways of Seeing, Mechanic Reproduction, and the Narrative of Digital Reproduction (\u300a\u300c\u5716\u50cf\u8a9e\u8a00\u53d6\u4ee3\u85dd\u8853\u5a01\u6b0a\u300d: \u7d04\u7ff0\u30fb\u4f2f\u6770\u6a5f\u68b0\u8907\u88fd\u7684\u89c0\u770b\u8207\u6578\u4f4d\u8907\u88fd\u7684\u6558\u4e8b\u300b) P10814<\/li>\n<li>2018 (Aug.)-2019 (Jul.): The Aegis and the Migrant Mother: Ekphrastic Strategies of Photographic Narrative (\u300a\u76fe\u724c\u4e0a\u7684\u6885\u675c\u838e\u8207\u300a\u79fb\u5de5\u5abd\u5abd\u300b\uff1a\u5f71\u50cf\u6558\u4e8b\u7684\u5716\u8aaa\u7b56\u7565\u300b) MOST 107-2410-H-128-008<\/li>\n<li>2017 (Aug.)-2018 (Jul.): Food Narratology: Food Discourse as Ritual, Political, Traumatic-Therapeutic, and Local-Colored Narratives in Contemporary Literature (\u300a\u98f2\u98df\u6558\u4e8b\u5b78: \u7576\u4ee3\u6587\u5b78\u4e2d\u7684\u5100\u5f0f\u6027\u3001\u653f\u6cbb\u3001\u7652\u5275\u3001\u53ca\u9109\u60c5\u4e4b\u98f2\u98df\u6558\u4e8b\u300b) P10617<\/li>\n<li>2016 (Aug.)-2017 (Jul.): Food Rhetoric: Food Writing and Food Narrative of M. F. K. Fisher (\u300a\u98f2\u98df\u4fee\u8fad\u5b78: \u8cbb\u96ea\u7684\u98f2\u98df\u66f8\u5beb\u8207\u98f2\u98df\u6558\u4e8b\u300b) MOST 105-2410-H-128-027<\/li>\n<\/ol>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u59d3\u540d\uff1a\u9673\u5efa\u9f8d Alvin Dahn \u8077\u7a31\uff1a\u526f\u6559\u6388 \u96fb\u8a71\uff1a83562 \u7814\u7a76\u5ba4\uff1aS701 \u96fb\u5b50\u4fe1\u7bb1\uff1aalvin@mail.shu.edu.tw \u7814\u7a76\u5c08\u9577 \u82f1\u7f8e\u8a69\u6b4c \u98f2\u98df\u6587\u5b78\u8207\u98f2\u98df\u8ad6\u8ff0 \u6587\u5b78\u4e2d\u7684\u5e7d\u9ed8 \u79ae\u7269\u7406\u8ad6 \u6388\u8ab2\u8ab2\u7a0b \u897f\u6982: [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":102,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[51],"tags":[],"class_list":["post-729","page","type-page","status-publish","hentry","category-51"],"publishpress_future_action":{"enabled":false,"date":"2026-04-17 21:13:29","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=729"}],"version-history":[{"count":0,"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/729\/revisions"}],"up":[{"embeddable":true,"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/102"}],"wp:attachment":[{"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=729"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/dteng.wp.shu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}