﻿{"id":2114,"date":"2018-08-01T16:27:11","date_gmt":"2018-08-01T08:27:11","guid":{"rendered":"http:\/\/dteng.wp.shu.edu.tw\/?page_id=2114"},"modified":"2025-10-14T20:50:14","modified_gmt":"2025-10-14T12:50:14","slug":"%e5%b0%88%e4%bb%bb%e6%95%99%e5%b8%ab%e6%96%bd%e6%81%a9%e6%83%a0-en-hui-shih","status":"publish","type":"page","link":"https:\/\/dteng.wp.shu.edu.tw\/?page_id=2114","title":{"rendered":"\u5c08\u4efb\u6559\u5e2b\u65bd\u6069\u60e0 En-hui Shih"},"content":{"rendered":"<div class=\"wc-shortcodes-row wc-shortcodes-item wc-shortcodes-clearfix\">\n<div class=\"wc-shortcodes-column wc-shortcodes-content wc-shortcodes-one-third wc-shortcodes-column-first \">\n<p><del><a href=\"https:\/\/dteng.wp.shu.edu.tw\/?attachment_id=5027\" rel=\"attachment wp-att-5027\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5027 aligncenter\" src=\"http:\/\/wp.shu.edu.tw\/wp-ctt\/uploads\/sites\/50\/2025\/10\/3e669b8927fec977a835f97a72c543da.jpg\" alt=\"\" width=\"169\" height=\"225\" data-id=\"5027\" \/><\/a><\/del><\/p>\n<\/div>\n<div class=\"wc-shortcodes-column wc-shortcodes-content wc-shortcodes-two-third wc-shortcodes-column-last \">\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<ul>\n<li>\u59d3\u540d\uff1a\u65bd\u6069\u60e0 En-hui Shih<\/li>\n<li>\u8077\u7a31\uff1a\u526f\u6559\u6388\u517c\u5916\u8a9e\u4e2d\u5fc3\u8aee\u8a62\u9867\u554f<\/li>\n<li>\u96fb\u8a71\uff1a83569<\/li>\n<li>\u7814\u7a76\u5ba4\uff1aS711<\/li>\n<li>\u96fb\u5b50\u4fe1\u7bb1\uff1a<a href=\"mailto:enshih@mail.shu.edu.tw\">ehshih@mail.shu.edu.tw<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u7814\u7a76\u5c08\u9577<\/strong><\/span><\/p>\n<p>\u8a18\u61b6\u7814\u7a76<\/p>\n<p>\u5fb7\u52d2\u8332\u7814\u7a76<\/p>\n<p>\u6587\u5b78\u7406\u8ad6<\/p>\n<p>\u82f1\u7f8e\u7576\u4ee3\u5c0f\u8aaa\u7814\u7a76<\/p>\n<p>\u67cf\u683c\u68ee\u7814\u7a76<\/p>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u6388\u8ab2\u8ab2\u7a0b<\/strong><\/span><\/p>\n<p>\u7f8e\u570b\u6587\u5b78:1865\u4ee5\u524d(2\/0)<\/p>\n<p>\u7f8e\u570b\u6587\u5b78:1865\u4ee5\u5f8c(0\/2)<\/p>\n<p>\u82f1\u7f8e\u6587\u5b78\u4f5c\u54c1\u5c0e\u8b80*\u901a\u8b58(2\/0)<\/p>\n<p>\u82f1\u6587\u540d\u8457\u9078\u8b80*\u901a\u8b58(0\/2)<\/p>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u5b78\u6b77<\/strong><\/span><\/p>\n<p>\u53f0\u5927\u5916\u6587\u6240\u82f1\u7f8e\u6587\u5b78\u535a\u58eb<\/p>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u7d93\u6b77<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt\">\u6821\u5167\u69ae\u8b7d<\/span><\/p>\n<p>99\u5b78\u5e74\u5ea6\u4e16\u65b0\u5927\u5b78\u82f1\u8a9e\u7cfb\u6559\u5b78\u512a\u826f\u6559\u5e2b\u734e<\/p>\n<p><span style=\"font-size: 14pt\">\u6821\u5916\u69ae\u8b7d<\/span><\/p>\n<p>100\u5b78\u5e74\u5ea6\u570b\u79d1\u6703\u734e\u52f5\u4eba\u6587\u8207\u793e\u6703\u79d1\u5b78\u9818\u57df\u535a\u58eb\u5019\u9078\u4eba\u64b0\u5beb\u535a\u58eb\u8ad6\u6587\u734e<\/p>\n<p><strong>\u00a0<\/strong><\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u7814\u7a76\u6210\u679c<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt\">\u671f\u520a\u8ad6\u6587<\/span><\/p>\n<ol>\n<li>En-hui Shih and Alvin Dahn (2024, Dec). Fleeing from the Cyclops\u2019s Eye: Exploring Human Agency in the Digital Epoch in Ali Smith\u2019s \u201cAfter Life\u201d. <em>Foreign Language Studies,<\/em> vol.55, no.1, pp. \u00a0\u672c\u4eba\u70ba\u7b2c\u4e00\u4f5c\u8005\u3001\u901a\u8a0a\u4f5c\u8005.<\/li>\n<li>En-hui Shih (2024, May). Fragments of Belongingness: Migrant Experiences in Ali Smith\u2019s <em>Spring<\/em>. <em>Tamkang Review. <\/em>vol.40, pp.<\/li>\n<li>En-hui Shih (2023, Dec). The Counterforce of Technologization in Herman Melville\u2019s \u201cBartleby, the Scrivener: A Story of Wall- Street\u201d. <em>Languages and International Studies<\/em>, vol.30, pp.21-37. \u672c\u4eba\u70ba\u7b2c\u4e00\u4f5c\u8005\u3001\u901a\u8a0a\u4f5c\u8005.<\/li>\n<li>En-hui Shih (2023, Sep). Becoming-Rosebush: Metamorphosis in Ali Smith&#8217;s The Beholder&#8221;. <em>Chung Hsing Journal of the Humanities<\/em>, vol. 71: 59-80.<\/li>\n<li>En-hui Shih (2022, Sep). The Voice of Trauma: The Silence of the Traumatic Self in Pat Barker&#8217;s Another World. <em>Chung Hsing Journal of the Humanities<\/em>, vol 69, pp.199-223.<\/li>\n<li>En-hui, Shih. \u201cGrace Unveiled: Exploration of Being\/being and the Self in Marilynn Robinson\u2019s <em>Gilead<\/em>. \u201c<em>Journal of Christian Higher Education, vol.<\/em> 1, no.1, Dec. 2018, pp. 27-48.<\/li>\n<li>\u65bd\u6069\u60e0.\u201c\u2018\u8ab0\u505a\u7684\u5922?&#8217;\u201d:\u91cd\u63a2\u8def\u6613\u65af\uff0e\u5361\u7f85\u300a\u93e1\u4e2d\u5947\u7de3\u300b\u4e2d\u8a9e\u8a00\u8207\u4e3b\u9ad4\u7684\u7269\u8cea\u6027.\u300a\u82f1\u7f8e\u6587\u5b78\u8a55\u8ad6\u300b vol. 30, 2017, pp. 31-50.<\/li>\n<li>\u65bd\u6069\u60e0. \u201c\u901a\u5f80\u4ed6\u8005\u7684\u8a18\u61b6\uff1a\u4fdd\u7f85\u2027\u5967\u65af\u7279\u81ea\u50b3\u300a\u5b64\u7368\u53ca\u5176\u6240\u5275\u9020\u7684\u300b\u4e2d\u7684\u751f\u6210\u4e3b\u9ad4.\u201d \u300a\u4e2d\u5916\u6587\u5b78\u300b,vol. 42, no. 2, 2013, pp. 65-99<\/li>\n<li>En-hui Shih. Retelling Whose Story?-Dialogues between History and Narrative in William Faulkner\u2019s <em>Absalom, Absalom.<\/em>\u201d<em> Cross-Cultural Studies<\/em>, vol.1, no.5, March 2011, pp.119-48.<\/li>\n<\/ol>\n<p><span style=\"font-size: 14pt\">\u7814\u8a0e\u6703\u8ad6\u6587<\/span><\/p>\n<ol>\n<li>En-hui Shih. 2009.08.10. \u201cFabrication of the Self: Memory and the Human Subject in the Deleuzian Context.\u201d Connect Deleuze: Transdisciplinary Perspectives: Second International Deleuze Studies Conference. Cologne University: Germany<\/li>\n<li>En-Hui Shih. 2013.6.2. \u201cLimit or Freedom?: Language in Bergson\u2019s and Deleuze\u2019s Philosophies.\u201d Deleuze Studies in Asia: The First Deleuze Studies in Asia Conference. Tamkang University, Taipei.<\/li>\n<li>\u65bd\u6069\u60e0. 2016.5.21. \u201c\u2019 \u90fd\u662f\u6211\u7684\u5275\u4f5c\u2019:\u91cd\u63a2\u8def\u6613\u65af. \u5361\u7f85&lt;&lt;\u93e1\u4e2d\u5947\u7de3&gt;&gt;\u4e2d\u8a9e\u8a00\u8207\u4e3b\u9ad4\u4e2d\u7684\u7269\u8cea\u6027\u201d \u7b2c\u4e09\u5341\u516b\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70:\u300c\u6587.\u7269\u300d. \u6771\u6d77\u5927\u5b78: \u53f0\u4e2d.<\/li>\n<li>\u65bd\u6069\u60e0. 2019.6.22. \u201c\u56de\u61b6\u7684\u300c\u9918\u300d\u71fc: \u8ad6\u6731\u5229\u4e9e.\u5df4\u6069\u65af&lt;&lt;\u56de\u61b6\u7684\u9918\u71fc&gt;&gt;\u4e2d\u7684\u8001\u5e74\u81ea\u89ba.\u201d \u7b2c\u56db\u5341\u4e00\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u6703\u8b70:\u300c\u65b0\u4e16\u7d00\u7684\u91ab\u7642\u4eba\u6587\u7814\u7a76\u300d. \u4ea4\u901a\u5927\u5b78: \u65b0\u7af9.<\/li>\n<li>En-hui Shih. 2019.11.02. \u201cAnother World or the Same World: Ghosts in Pat Barker&#8217;s Another World.\u201d \u7b2c\u4e8c\u5341\u4e03\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703: \u8e81\u52d5. \u4e2d\u6b63\u5927\u5b78: \u5609\u7fa9<\/li>\n<li>En-hui Shih. 2020.10.31. \u201cFrom the Individual to the Collective: Dreams in Ali Smith\u2019s <em>Autumn<\/em>.\u201d \u7b2c\u4e8c\u5341\u516b\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u8853\u7814\u8a0e\u6703\uff0d\u5922. \u653f\u6cbb\u5927\u5b78: \u81fa\u5317.<\/li>\n<li>En-hui Shih. 2021.06.18 \u201cAcoustic Presence: The Embodied Subject under the \u00a0Clubhouse Effect.\u201d \u300c2021\u5e74\u65b0\u5a92\u9ad4\u6642\u4ee3\u4e0b\u7684\u6587\u5316\u885d\u64ca\u8207\u793e\u6703\u8cac\u4efb\u300d\u570b\u969b\u7814\u8a0e\u6703. \u4e16\u65b0\u5927\u5b78: \u81fa\u5317<\/li>\n<li>\u65bd\u6069\u60e0. 2021.10.30. \u201c\u6c89\u9ed8\u7684\u529b\u91cf:\u8ad6\u6d3e\u7279\uff0e\u5df4\u514b\u300a\u53e6\u4e00\u500b\u4e16\u754c\u300b\u4e2d\u5275\u50b7\u4e3b\u9ad4\u7684\u7834\u58de\u6027\u5851\u81a0\u6027\u3002\u201d \u7b2c29\u5c46\u82f1\u7f8e\u6587\u5b78\u570b\u969b\u5b78\u8853\u7814\u8a0e\u6703[\u975e\u7269\u8cea]\u3002 \u570b\u7acb\u5e2b\u7bc4\u5927\u5b78: \u81fa\u5317 (\u7dda\u4e0a)<\/li>\n<li>\u65bd\u6069\u60e0. 2022.10.29. \u201cI am a breaking point&#8221;: Rethinking the Migrant Issue in Ali Smith&#8217;s <em>Spring<\/em>\u201d \u7b2c\u4e09\u5341\u5c46\u82f1\u7f8e\u6587\u5b78\u5b78\u6703\u570b\u969b\u7814\u8a0e\u6703:\u4e0d\/\u597d\u5ba2\u7684\u5e74\u4ee3\u3002\u570b\u7acb\u9ad8\u96c4\u5e2b\u7bc4\u5927\u5b78: \u9ad8\u96c4 (\u7dda\u4e0a)<\/li>\n<li>\u65bd\u6069\u60e0. 2023.05.06. \u201cThe Counterforce of Technologization in Herman Melville\u2019s <em>Bartleby, the Scrivener<\/em><em>\uff1aA Story of Wall-Street<\/em>.\u201d\u4e16\u65b0\u5927\u5b78\u82f1\u8a9e\u66a8\u50b3\u64ad\u61c9\u7528\u5b78\u7cfb\u7b2c\u4e8c\u5c46\u6587\u5b78\u3001\u8a9e\u8a00\u8207\u50b3\u64ad\u8de8\u6821\u7dda\u4e0a\u7814\u8a0e\u6703\u3002<\/li>\n<li>En-hui Shih )2023.10.14. \u201cThe Care of the Other in Marilynne Robinson\u2019s Housekeeping.\u201d 2023 EALA \u7b2c31\u5c46\u82f1\u7f8e\u6587\u5b78\u570b\u969b\u5b78\u8853\u7814\u8a0e\u6703 \u8b5c\u5beb\u300c\u7167\uff0f\u9867\u300d\uff1a\u60f3\u50cf\u3001\u884c\u52d5\u8207\u7406\u8ad6\u3002\u6210\u529f\u5927\u5b78\u3002\u53f0\u5357<\/li>\n<li>En-hui Shih (2024.05.04). \u201cThe Emerging Consciousness of Digital Objects in Ted Chiang&#8217;s The Lifecycle of Software Objects.\u201d 2024\u4e16\u65b0\u5927\u5b78\u82f1\u8a9e\u66a8\u50b3\u64ad\u61c9\u7528\u5b78\u7cfb \u7b2c\u4e09\u5c46\u6587\u5b78\u3001\u8a9e\u8a00\u8207\u50b3\u64ad\u8de8\u6821\u7814\u8a0e\u6703\u3002\u4e16\u65b0\u5927\u5b78:\u53f0\u5317<\/li>\n<li>En-hui Shih (2024.10.19). \u201cThe Mechanical Mind: The Quest for Self-Consciousness in Ted Chiang\u2019s \u2018Exhalation.\u2019\u201d \u7b2c\u4e09\u5341\u4e8c\u5c46\u82f1\u7f8e\u6587\u5b78\u570b\u969b\u5b78\u8853\u7814\u8a0e\u6703 \u3008\u6ffe\u7be9\u3009\u3002\u570b\u7acb\u6e05\u83ef\u5927\u5b78:\u65b0\u7af9<\/li>\n<li>En-hui Shih (2025.04.26). \u201cThe Monstrous Other: Fear and the Other in Ursula Le Guin&#8217;s \u2018The Wife Story\u2019\u201d 2025\u4e16\u65b0\u5927\u5b78\u82f1\u8a9e\u66a8\u50b3\u64ad\u61c9\u7528\u5b78\u7cfb\u300c\u5a92\u9ad4\u3001\u6587\u5316\u66a8\u50b3\u64ad\u300d\u570b\u969b\u7814\u8a0e\u6703\u3002\u4e16\u65b0\u5927\u5b78:\u53f0\u5317\u5e02<\/li>\n<\/ol>\n<\/div>\n<div class=\"wc-shortcodes-box wc-shortcodes-item wc-shortcodes-content wc-shortcodes-clearfix wc-shortcodes-box-secondary \" style=\"text-align:left;\">\n<p><span style=\"font-size: 18pt\"><strong>\u7814\u7a76\u734e\u52f5<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt\">\u570b\u79d1\u6703\u8a08\u756b<\/span><\/p>\n<ol>\n<li>\u300c\u53ef\u5851\u7684\u5fc3\u667a: \u8ac7\u7576\u4ee3\u5169\u90e8\u79d1\u5e7b\u5c0f\u8aaa\u4e2d\u4eba\u5de5\u667a\u6167\u610f\u8b58\u8208\u8d77\u7684\u5b89\u90a3\u5176\u529b\u91cf\u300d(1132410 H-128-001-)\u4e3b\u6301\u4eba2024\/08\/01\uff5e2025\/07\/31<\/li>\n<li>\u300c\u6578\u64da\u4e4b\u821e\uff1a\u8ac7\u59dc\u5cef\u6960\u4e09\u7bc7\u4e2d\u7bc7\u79d1\u5e7b\u5c0f\u8aac\u4e2d\u610f\u8b58\u8207\u8a0a\u606f\u4e4b\u9023\u7d50\u300d (NSTC 114-2410-H-128-009-) \u4e3b\u6301\u4eba2025\/08\/01\uff5e2026\/07\/31<\/li>\n<\/ol>\n<p><span style=\"font-size: 14pt\">\u6559\u80b2\u90e8\u6821\u5167\u5b78\u8853\u7814\u7a76\u88dc\u52a9\u8a08\u756b<\/span><\/p>\n<ol>\n<li>\u201cFrom the Floating Head to the Rolling Stone: The Metaphor of Face in Ali Smith\u2019s <em>\u201d <\/em>(111\u5b78\u5e74\u5ea6\u4e16\u65b0\u5927\u5b78\u6559\u80b2\u90e8\u500b\u5225\u578b\u8a08\u756b)\u3002<\/li>\n<li>\u300c\u6c89\u9ed8\u7684\u529b\u91cf: \u8ad6\u6d3e\u7279. \u5df4\u514b\u00ab\u53e6\u4e00\u500b\u4e16\u754c\u00bb\u4e2d\u5275\u50b7\u4e3b\u9ad4\u7684\u7834\u58de\u6027\u5851\u81a0 \u6027.\u300d (109\u5b78\u5e74\u5ea6\u4e16\u65b0\u5927\u5b78\u6559\u80b2\u90e8\u500b\u5225\u578b\u8a08\u756b)\u3002<\/li>\n<li>\u56de\u61b6\u7684\u300c\u9918\u300d\u71fc: \u4ee5\u82f1\u7f8e\u4e09\u672c\u5c0f\u8aaa\u4e2d\u8001\u5e74\u81ea\u6211\u610f\u8b58\u7684\u89ba\u9192\u70ba\u4f8b (107\u5b78\u5e74\u5ea6\u4e16\u65b0\u5927\u5b78\u6821\u5167\u7814\u7a76\u8a08\u756b\u734e\u52f5\u88dc\u52a9)<span style=\"font-size: 1em\"><\/div>\n<p><\/span><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>\u59d3\u540d\uff1a\u65bd\u6069\u60e0 En-hui Shih \u8077\u7a31\uff1a\u526f\u6559\u6388\u517c\u5916\u8a9e\u4e2d\u5fc3\u8aee\u8a62\u9867\u554f \u96fb\u8a71\uff1a83569 \u7814\u7a76\u5ba4\uff1aS711 \u96fb\u5b50\u4fe1\u7bb1\uff1aehshih@mail.shu.edu.tw \u7814\u7a76\u5c08\u9577 \u8a18\u61b6\u7814\u7a76 \u5fb7\u52d2\u8332\u7814\u7a76 \u6587\u5b78\u7406\u8ad6 \u82f1\u7f8e\u7576\u4ee3\u5c0f\u8aaa\u7814\u7a76 [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"parent":102,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[51],"tags":[],"class_list":["post-2114","page","type-page","status-publish","hentry","category-51"],"publishpress_future_action":{"enabled":false,"date":"2026-04-17 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